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The Formal Elements of Art
- Line
- A path of action left by a moving point
- Color
- Space
- Shape
- Light
- Texture
- Time
- Motion
Line
- A path of action left by a moving point
Outline
Indicates the shape of a two- or three-dimensional form and emphasize its flatness, as seen in Yoshitomo Nara's Dead Flower
Contour
- Forms the edge of a three-dimensional shape and suggest volume, recession, or projection in space
Implied Line
- Lines that are not there, but our perception creates them
Qualities of Line
- Lines vary, a line drawn by a pen will be distinct from a line drawn by charcoal
Misc
- Vincent van Gogh uses expressive line in his works of art, flowing lines
- Analytical/Classical line are precise & measured, hard edges
- When you have a diagonal line they are most likely going to be expressive lines
Color
Shape
Shape is a two-dimensional area with identifiable boundaries
Distortions of Space and Foreshortening
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Photographs and media with perspective depict space as "real" because it is a monocular, or one-eyed, point of view.
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The stereoscope was invented in the nineteenth century to imitate binocular vision.
- The close up, the difference is more discernible
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Foreshortening is the adjusting of dimensions of closer extremities to make up for the distortion created by the point of view -- the illusion of space on a two-dimensional area
Mass
- A mass is a solid that occupies three-dimensional volume
Figure Ground Relation
MC Esher employed a ton of Figure Ground Relation
Linear Perspective
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One-point linear perspective relies on a single point, or vanishing point, on the viewer's horizon to represent parallel receding lines.
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When the vanishing point is directly across from the vantage point (where viewer is positioned), the recession is frontal: if it is to one side or another, it is diagonal
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Linear Perspective was perfected during the Renascence, primarily by Massacio
Light
Atmospheric Perspective
- Shows space with light
Chiaroscuro
- Chiaroscuro refers to the balance of light and shade in a work, most often exhibited when the artist transitions from light to dark around a curved surface.
- Using chiaroscuro on a curved surface is called modeling
Baroque Light (Tenerism)
- Baroque Light (Tenerism) is the dramatic use of light
Hatching & Cross-Hatching
- Hatching is an area of closely spaced parallel lines to create value
- Cross-hatching is where on set of hatches is crossed at an angle by one or more sets of hatches, creating a darker area of lines
Color
Misc
- Newton states that white light consists of all colors in the spectrum
- Colors of bluer hues are colder while colors that are redder are warmer
Texture
Means tactile -- what we feel
Visual Texture
Texture that we can see